The Voice

 

MPW-3067.jpegThe movie Funny Girl opened in 1968. I was eight years old and in Third Grade, struggling with Mrs. Mishaw, the dower educator who wore Irish wool suits and had no patience for fools. I was a dreamy fool finding solace in movies. Barbra Streisand as Fanny Brice became my hero. Fanny Brice for celebrating her kooky self, and Barbra for singing so magnificently. She was the balm for an otherwise abrasive year.

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This past week I got to revisit the magnificence of Ms. Streisand singing “Don’t Rain on My Parade.” She brought down the Brooklyn house with her clear, luminous voice. I was enthralled then, as I am now. And, if that weren’t enough, she sang at least three Sondheim songs, my favorite composer.

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I was late to the game. I first heard about Sondheim from Paul Puccio a co-worker at Strawbridge & Clothier when I was in college. I went to see Angela Lansbury in Sweeny Todd in 1980, and have subsequently seen most productions of the shows and revivals in New York or London. So, having Barbra Streisand’s splendid voice, and Steven Sondheim’s magical lyrics and composition, was simply perfect.

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We all have moments like this, when we experience art and emotion, and feel transported. There is hope for the future, and deep satisfaction in the moment. The concert, thanks to Barbra Streisand, gave me, as well as thousands of others, that transformative moment. Life isn’t always easy. In fact, we have witnessed so much heartache and struggle in the media recently, and, for some, in our private lives. So bearing witness to art, music, theater, dance, literature, or other artistic mediums, gives us an opportunity to replenish our faith in ourselves and the world around us. It can move us deeply, and replenish our soul.

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I am still a dreamy fool late into my 50s. And, Barbra Streisand’s voice remains a balm through thick and thin.

(all images are taken from the internet)

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