I am Cautious

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I am cautious. I ride a low bike so that when I stop my feet reach the ground. This is reminiscent of my old banana seat bicycle in the 70’s with the purple handle bar streamers. It was comfortable because of its lack of height and its smooth, plastic seat. I was a proud rider on the streets of Haddontown, Kresson Heights, Brookfield and Woodcrest, riding my modern bike in my bright red keds.

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This past week I braved the New York Streets to take my bike out for the third time this summer. I was halfway to my destination, Central Park, when I realized the traffic was too thick. Cars and trucks were double parked. I am not that adventurous. I am cautious. So, at Third Avenue I turned around and headed for the promenade on the East River. When I get to the park I ride to the crosswalk because I can avoid riding up on the curb. I like a flat ride, no bumps. That’s not easy in New York, so I do what I can.

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It wasn’t very crowded. It was Tuesday, and some had just started back to work, while others were just getting back from their Labor Day getaways. I rode as if I were a child, gleeful to have the promenade virtually to myself. I ring my high-pitched bell when the few people walking are four wide and there’s no place for me to go. They part and I move on, happy I didn’t have to stop. I am in heaven. There’s something so sweet about moving in space, especially when I know at any given moment my feet can touch the ground.

 

The Voice

 

MPW-3067.jpegThe movie Funny Girl opened in 1968. I was eight years old and in Third Grade, struggling with Mrs. Mishaw, the dower educator who wore Irish wool suits and had no patience for fools. I was a dreamy fool finding solace in movies. Barbra Streisand as Fanny Brice became my hero. Fanny Brice for celebrating her kooky self, and Barbra for singing so magnificently. She was the balm for an otherwise abrasive year.

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This past week I got to revisit the magnificence of Ms. Streisand singing “Don’t Rain on My Parade.” She brought down the Brooklyn house with her clear, luminous voice. I was enthralled then, as I am now. And, if that weren’t enough, she sang at least three Sondheim songs, my favorite composer.

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I was late to the game. I first heard about Sondheim from Paul Puccio a co-worker at Strawbridge & Clothier when I was in college. I went to see Angela Lansbury in Sweeny Todd in 1980, and have subsequently seen most productions of the shows and revivals in New York or London. So, having Barbra Streisand’s splendid voice, and Steven Sondheim’s magical lyrics and composition, was simply perfect.

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We all have moments like this, when we experience art and emotion, and feel transported. There is hope for the future, and deep satisfaction in the moment. The concert, thanks to Barbra Streisand, gave me, as well as thousands of others, that transformative moment. Life isn’t always easy. In fact, we have witnessed so much heartache and struggle in the media recently, and, for some, in our private lives. So bearing witness to art, music, theater, dance, literature, or other artistic mediums, gives us an opportunity to replenish our faith in ourselves and the world around us. It can move us deeply, and replenish our soul.

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I am still a dreamy fool late into my 50s. And, Barbra Streisand’s voice remains a balm through thick and thin.

(all images are taken from the internet)

Back to the Basics

 

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I learned to iron from my mom, but not before I scorched a shirt or two. Cotton and Polyester were the fabrics of my childhood. And, although I liked my Danskin striped shirts and ribbed pleated pants, cotton was the classier choice for anything other than playing in our Haddontown neighborhood. When inside I had chores, one of which was the ironing.

 

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I would set up the creaky ironing board in the kitchen close to the counter with the electrical outlet. And then I’d carefully plug in the Sunbeam, aqua iron until it was hot enough to smooth away the folds. I would iron my father’s shirts for work, my sister’s and my blouses, leaving the trickier ironing of dresses to my mother.

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In my twenties I volunteered at a new age retreat. One of my jobs was to iron the leader’s white oxford shirts. Perhaps I was chosen because Virgos are known for our attention to detail. They never told me. What they did say was, “Janet, it’s imperative that you bring integrity to your work. There must be no lines in his shirt. Anything that takes his attention away from leading the group compromises the quality of the retreat.” I took them seriously, and performed my ironing with fear and seriousness. At the end of the week I was commended for my work, but at great cost to my happiness.

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Today I ironed my dresses, two green, two blue, one orange and one black. It’s been a while since I’ve ironed. I tend put on no-iron clothes or slightly creased shirts. I take out a steamer from time to time, but sometimes it just doesn’t do the job of old fashion ironing.

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There is something meditative about ironing. I can tell immediately if I’m doing it right. And I know this because the wrinkles disappear. I find this ever so satisfying. It’s clear what task is at hand, and it’s clear when it’s complete. Few jobs are that straightforward in life. Unlike my fear of failure at the retreat, I’m happy to do my ironing with music on in a state of ease. My dresses are done and I’m grateful to my mom for introducing me to the finer points of ironing.

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To Run or Not to Run

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I don’t like when I get sick. Nor do I know anybody who does. For the last few days I was well enough to do a few things but sick enough to sleep a lot and eat very little, feeling weak and dizzy. Next weekend is the NYC Marathon. I’m scheduled to run, well, mostly walk. And, this weekend was slated as a pivotal training weekend. All my plans were opportunities to run miles to my destinations. That didn’t happen. I cancelled plans.

I’ll gage the week to see how I feel. I plan on entering the marathon and completing it with my slow jog. It will be dark and late, but that’s my plan. I was scheduled to run last year but an injury prevented me from running. I rescheduled for 2015.

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It’s hard to know whether my body is informing me that it will be compromised if I attempt 26.2 miles. Or, is it a reaction to my fear, challenging me to overcome obstacles? It’s hard to know what lesson is in front of us.

There have been many times I misread the signs. I would have a funny feeling about making a plan. I would then think I’m just not open and accepting enough, so I’d go, trying to be okay about it. But in the end it was a lesson on setting limits not on expanding them.

When it comes to fitness I’ve learned a lot about myself. I don’t like boot camp classes, or instructors or trainers who yell and push. I like gentler, kinder trainers who encourage and gently prod me to try more. I want to enjoy my workout. I don’t expect to enjoy the entire marathon, but I’m going to do my best. Larry, my husband, created an awesome playlist. I’m writing my name on my shirt so I can take in the encouragement. I trained throughout the year, learning new stretches, and exercises to strengthen me physically.

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If I don’t do the marathon, I gained a great deal this past year. I love to run, something I dreaded most of my life. I know that after next week 4 to 5 miles is my sweet spot, and I will maintain that, choosing not to run longer runs, unless something changes. I got comfortable doing something just for me. So, it was a year well spent.

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In this next week I’ll do my best to listen closely to how I feel. I will respect my body whether that means a marathon, or it means starting it and not finishing, or, even if it means opting out. Even though my age (56) may be a contributing factor of my lack of speed, my age also gives me the advantage of making a choice that’s right for me. No matter what, I’ll do my best.

Wonderful Central Park

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It’s 6.2 miles around the Central Park loop. On a good running day I’ll run to the entrance to the Park Drive at 90th Street, jog around the park and run back, an 8-mile run. That doesn’t happen too often. I’m more apt to do a three-mile run to the park, around the reservoir or around the bridal path surrounding the reservoir, then back home again. I like that run. There are beautiful views of the city, some people watching, and the ground is soft.

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But, for now, as I train for a half-marathon, which I may or may not run, I am working on longer runs, making the loop a better choice. As I cross Fifth Avenue to join the other joggers, always on the drive, I pass a bevvy of tourists. They have come from the museums with selfies-on-the-reservoir as their next objective. I can get frustrated as they block the path, oblivious of native New Yorkers trying to get by.

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When I finally pass the tourists I go down a small slope and move towards 96th Street with a playground on my right and lush trees on my left. I veer to my left passing a field to my right and distant tennis courts to my left. Soon I pass the 103rd Street by-pass, which is a short cut to the west side, eradicating the two hills to come. I fuel myself with positive thinking since I feel good that I’m going the tougher route.

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Once I pass 103rd Street, the road zigzags past the Lasker Pool & Rink, the North Woods, and the Meer. By that time I am approaching the hill. Lesser cyclists stop or mimic the Engine that Could. When I ride my bike, I use self-talk of encouragement to get up that hill. “You can do it, Janet.” You’ve got it.” Just one foot in front of the other.” The pro cyclists speed righteously up the hill, indicating their athletic prowess. And, just when I think I’ve made it, there’s another slope towards the top. This last time, I went up another hill where there’s a 1/5 mile track. I did that just to prove to myself I conquered the hills. From there I go down hill. It’s a gentle decline, nothing too steep. I pass a pretty pond with a bridge and a scenic willow tree.

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Then I run for ½ mile at which point I’m at the 90th Street entrance on Central park West. It’s not quite half way, but it feels like it to me. To my left is the reservoir. Once I pass that there’s the great lawn. These days there’s a long line of theatergoers staking their claim to see Cymbeline at the Delacorte Theater. As I continue I can see the New York Historical Society peeking through the trees to the west. Next is the lake where you can rent canoes and row boats. But within a blink I’ve already passed Strawberry Fields and the crowds of tourists with their umbrella carrying leaders.

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Unknown-4Sheep’s Meadow with the picnickers, and frisbee players is next on the left with the reopened Tavern on the Green to my right. From there I can smell Horse Manure as I pass the Handsome Cabs and their passengers. I don’t hate the odor, but it’s distinctive. By the time that ends, I’ve passed the carousel followed by the Boat House. I now have less than a mile in the park, yet by now I am hungry for milestones for the end of this run. There’s a hill, actually not quite a hill, but an ascent of some degree. But as I run through that I treasure the sight of the Still Hunt, the cougar sculpture on a cliff.   And then there’s Cleopatra’s Needle just as The Metropolitan Museum rises on the east. I am simply relieved. I have a quarter mile to go in the park and that makes me giddy.

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I fall in love with the city and Central Park even while I push myself at West 72nd Street and East 68th Street.   I get tired there. I want to quit. I think about walking away from this. I need to think of walking away. Having an exit clause helps me to finish. I don’t do as well when I feel like I have no choice. Knowing I can walk away gives me the freedom to choose to keep running. That is a freedom I so need, and so appreciate.

I end where I began, East 90th Street, across from The Cooper Hewitt Museum. I turn south to 88th Street to run straight to the East River, jogging in place when I’m stuck at a light. On my steps I stretch. Breathing heavily, I think, “I did it!”

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NYC Marathon

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Watching the NYC Marathon runners down First Avenue was simply inspiring. Seeing each person with their own reasons for running push through to continue their relentless course communicates discipline and tenacity. For a few hours this windy, Autumn day I screamed on the sidelines to strangers. I was able to see someone I knew, which was amazing.

The marathon is meaningful to those who run their race. They set a goal and mostly achieved it. And, if they fell short, they can be proud of making the effort to complete it. The marathon is very real, but it’s also a metaphor for life. In my work as a psychotherapist, I witness my clients face challenges in their lives. They work hard to overcome the limitations in their lives, like those who choose to do a marathon. And, mostly, they succeed. Then they face another obstacle and move through the pain and constraints to get to the other side of that challenge. And, so on and so forth.

Most personal processes are private. The individuals who go the extra mile to accomplish their goals have no one on the side-lines cheering them on. The courage they experience is known to only them. It is a solitary path. Depending on the achievements there may be bragging rights. But perhaps not. My good fortune is being able to witness my clients’ triumphs. I may not be yelling, “You Can Do It!” behind the barricades, but I am inspired all the same. I feel so fortunate to respectfully observe the marathons that change lives, both on and off First Avenue.