I am Cautious

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I am cautious. I ride a low bike so that when I stop my feet reach the ground. This is reminiscent of my old banana seat bicycle in the 70’s with the purple handle bar streamers. It was comfortable because of its lack of height and its smooth, plastic seat. I was a proud rider on the streets of Haddontown, Kresson Heights, Brookfield and Woodcrest, riding my modern bike in my bright red keds.

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This past week I braved the New York Streets to take my bike out for the third time this summer. I was halfway to my destination, Central Park, when I realized the traffic was too thick. Cars and trucks were double parked. I am not that adventurous. I am cautious. So, at Third Avenue I turned around and headed for the promenade on the East River. When I get to the park I ride to the crosswalk because I can avoid riding up on the curb. I like a flat ride, no bumps. That’s not easy in New York, so I do what I can.

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It wasn’t very crowded. It was Tuesday, and some had just started back to work, while others were just getting back from their Labor Day getaways. I rode as if I were a child, gleeful to have the promenade virtually to myself. I ring my high-pitched bell when the few people walking are four wide and there’s no place for me to go. They part and I move on, happy I didn’t have to stop. I am in heaven. There’s something so sweet about moving in space, especially when I know at any given moment my feet can touch the ground.

 

The Voice

 

MPW-3067.jpegThe movie Funny Girl opened in 1968. I was eight years old and in Third Grade, struggling with Mrs. Mishaw, the dower educator who wore Irish wool suits and had no patience for fools. I was a dreamy fool finding solace in movies. Barbra Streisand as Fanny Brice became my hero. Fanny Brice for celebrating her kooky self, and Barbra for singing so magnificently. She was the balm for an otherwise abrasive year.

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This past week I got to revisit the magnificence of Ms. Streisand singing “Don’t Rain on My Parade.” She brought down the Brooklyn house with her clear, luminous voice. I was enthralled then, as I am now. And, if that weren’t enough, she sang at least three Sondheim songs, my favorite composer.

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I was late to the game. I first heard about Sondheim from Paul Puccio a co-worker at Strawbridge & Clothier when I was in college. I went to see Angela Lansbury in Sweeny Todd in 1980, and have subsequently seen most productions of the shows and revivals in New York or London. So, having Barbra Streisand’s splendid voice, and Steven Sondheim’s magical lyrics and composition, was simply perfect.

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We all have moments like this, when we experience art and emotion, and feel transported. There is hope for the future, and deep satisfaction in the moment. The concert, thanks to Barbra Streisand, gave me, as well as thousands of others, that transformative moment. Life isn’t always easy. In fact, we have witnessed so much heartache and struggle in the media recently, and, for some, in our private lives. So bearing witness to art, music, theater, dance, literature, or other artistic mediums, gives us an opportunity to replenish our faith in ourselves and the world around us. It can move us deeply, and replenish our soul.

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I am still a dreamy fool late into my 50s. And, Barbra Streisand’s voice remains a balm through thick and thin.

(all images are taken from the internet)

Back to the Basics

 

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I learned to iron from my mom, but not before I scorched a shirt or two. Cotton and Polyester were the fabrics of my childhood. And, although I liked my Danskin striped shirts and ribbed pleated pants, cotton was the classier choice for anything other than playing in our Haddontown neighborhood. When inside I had chores, one of which was the ironing.

 

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I would set up the creaky ironing board in the kitchen close to the counter with the electrical outlet. And then I’d carefully plug in the Sunbeam, aqua iron until it was hot enough to smooth away the folds. I would iron my father’s shirts for work, my sister’s and my blouses, leaving the trickier ironing of dresses to my mother.

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In my twenties I volunteered at a new age retreat. One of my jobs was to iron the leader’s white oxford shirts. Perhaps I was chosen because Virgos are known for our attention to detail. They never told me. What they did say was, “Janet, it’s imperative that you bring integrity to your work. There must be no lines in his shirt. Anything that takes his attention away from leading the group compromises the quality of the retreat.” I took them seriously, and performed my ironing with fear and seriousness. At the end of the week I was commended for my work, but at great cost to my happiness.

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Today I ironed my dresses, two green, two blue, one orange and one black. It’s been a while since I’ve ironed. I tend put on no-iron clothes or slightly creased shirts. I take out a steamer from time to time, but sometimes it just doesn’t do the job of old fashion ironing.

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There is something meditative about ironing. I can tell immediately if I’m doing it right. And I know this because the wrinkles disappear. I find this ever so satisfying. It’s clear what task is at hand, and it’s clear when it’s complete. Few jobs are that straightforward in life. Unlike my fear of failure at the retreat, I’m happy to do my ironing with music on in a state of ease. My dresses are done and I’m grateful to my mom for introducing me to the finer points of ironing.

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Blog Break

 

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I wasn’t planning on taking a break from my blog, but that’s what happened. I’m glad I took this break. I’ve needed a breather in general for a while, and the blog was just a part of what I needed to put aside. I enjoy writing, but I noticed something as the weeks went by without penning a word. I noticed that I felt relieved at times, and frustrated at other times. Same circumstances, different responses.

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As the weeks went by I started criticizing myself. I was hard on myself for not writing even as other obligations loomed large. I’d think,  “If I don’t write on a regular basis it’s predictive of not publishing later.” I questioned myself. “Could my attention on family and professional training simply be an excuse?” Of course it can. Or, more likely, it’s the choice I’m making at this time.

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We all make choices. And each choice excludes another. To spend more time with family I give up writing. To choose a concert this summer I give up going out this weekend. To work more I give up a cleaner home. To write this I give up some sleep. We make choices large and small every day.   Tonight I chose to write this short piece. And tomorrow? We’ll I guess I’ll see what choices I make and how they translate.

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One imperative option is to take a break from self-criticism. Whether I have a blog post or I skip it, I am doing the best I can, as we all are.

 

 

 

 

Wonderful Central Park

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It’s 6.2 miles around the Central Park loop. On a good running day I’ll run to the entrance to the Park Drive at 90th Street, jog around the park and run back, an 8-mile run. That doesn’t happen too often. I’m more apt to do a three-mile run to the park, around the reservoir or around the bridal path surrounding the reservoir, then back home again. I like that run. There are beautiful views of the city, some people watching, and the ground is soft.

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But, for now, as I train for a half-marathon, which I may or may not run, I am working on longer runs, making the loop a better choice. As I cross Fifth Avenue to join the other joggers, always on the drive, I pass a bevvy of tourists. They have come from the museums with selfies-on-the-reservoir as their next objective. I can get frustrated as they block the path, oblivious of native New Yorkers trying to get by.

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When I finally pass the tourists I go down a small slope and move towards 96th Street with a playground on my right and lush trees on my left. I veer to my left passing a field to my right and distant tennis courts to my left. Soon I pass the 103rd Street by-pass, which is a short cut to the west side, eradicating the two hills to come. I fuel myself with positive thinking since I feel good that I’m going the tougher route.

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Once I pass 103rd Street, the road zigzags past the Lasker Pool & Rink, the North Woods, and the Meer. By that time I am approaching the hill. Lesser cyclists stop or mimic the Engine that Could. When I ride my bike, I use self-talk of encouragement to get up that hill. “You can do it, Janet.” You’ve got it.” Just one foot in front of the other.” The pro cyclists speed righteously up the hill, indicating their athletic prowess. And, just when I think I’ve made it, there’s another slope towards the top. This last time, I went up another hill where there’s a 1/5 mile track. I did that just to prove to myself I conquered the hills. From there I go down hill. It’s a gentle decline, nothing too steep. I pass a pretty pond with a bridge and a scenic willow tree.

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Then I run for ½ mile at which point I’m at the 90th Street entrance on Central park West. It’s not quite half way, but it feels like it to me. To my left is the reservoir. Once I pass that there’s the great lawn. These days there’s a long line of theatergoers staking their claim to see Cymbeline at the Delacorte Theater. As I continue I can see the New York Historical Society peeking through the trees to the west. Next is the lake where you can rent canoes and row boats. But within a blink I’ve already passed Strawberry Fields and the crowds of tourists with their umbrella carrying leaders.

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Unknown-4Sheep’s Meadow with the picnickers, and frisbee players is next on the left with the reopened Tavern on the Green to my right. From there I can smell Horse Manure as I pass the Handsome Cabs and their passengers. I don’t hate the odor, but it’s distinctive. By the time that ends, I’ve passed the carousel followed by the Boat House. I now have less than a mile in the park, yet by now I am hungry for milestones for the end of this run. There’s a hill, actually not quite a hill, but an ascent of some degree. But as I run through that I treasure the sight of the Still Hunt, the cougar sculpture on a cliff.   And then there’s Cleopatra’s Needle just as The Metropolitan Museum rises on the east. I am simply relieved. I have a quarter mile to go in the park and that makes me giddy.

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I fall in love with the city and Central Park even while I push myself at West 72nd Street and East 68th Street.   I get tired there. I want to quit. I think about walking away from this. I need to think of walking away. Having an exit clause helps me to finish. I don’t do as well when I feel like I have no choice. Knowing I can walk away gives me the freedom to choose to keep running. That is a freedom I so need, and so appreciate.

I end where I began, East 90th Street, across from The Cooper Hewitt Museum. I turn south to 88th Street to run straight to the East River, jogging in place when I’m stuck at a light. On my steps I stretch. Breathing heavily, I think, “I did it!”

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It’s All About Me

I’m zipping down Park Avenue.  Now I’m on 54th Street trying to cross during a grid lock.  I glare at the driver of the black SVU, as I choose which end of the car is safest to pass.  Okay, the front, I think.  There’s barely enough room from his bumper to the Volvo in front, but I make it past only to get to the other side where there are fur junior executives side by side blocking the side walk.  I’m going at a clipped pace, and I don’t like to be slowed down.  I wait for the guy on his lunch hour to pass going the other way, then I aggressively move past the four juniors and go right in front of them to let them know they’re blocking the sidewalk. 

            There’s nothing that gives me greater pleasure than walking In Manhattan.  I feel free and carefree.  It’s great to pick up speed while walking, listen to a book, a podcast, or good music, while going from block  to block, surprised I’ve already made four miles.  It’s my favorite way to decompress. 

            On the other hand, I’m realizing how I resent anyone getting in my way.  I feel like I own the city, and I take it personally when others aren’t mindful that they are not the only ones on the block.  There are the slow moving tourists, the entitled young professionals on their way for frappuccinos, and teens hanging with no room left for pedestrians.  However, the worst are the moms and nannies, tow-and three deep with Mercedes strollers.  They hinder anyone who wants to walk down any given block in residential areas.  

These are the certainties of walking in the city.  I hadn’t realized I was taking something that means the world to me, and turning into an exercise of futility.  There’s rarely a time I don’t encounter some obstruction.  I made it personal.  I saw their obliviousness as something to be challenged.  I wanted to awaken the unconscious amblers to their foolish ways.  But I realized I’m simply a righteous foot traveler.  I’m in it for myself, and anyone who gets in my way, anyone who is doing what they do for themselves is the enemy.  Nothing relaxing about that.  Do I find I need conflict?  Apparently so.  After witnessing myself get all self-righteous in contrast to the unknowing, I am on a mission to transform my walking life. Will I have patience with myself as I begrudgingly let go of my abhorrence of the inevitable?  Only time will tell.   I am preparing to learn to go with the flow.  I don’t know if I will, but that’s the plan, and I’m sticking to it.