Live Music, The Seventh Week of the Second Year in the New Abnormal

The power of music, particularly music that is performed with great love and skill can be transformative.  This past week I was fortunate enough to attend two live concerts, very different styles, but very similar intentions of sharing joy through their performances.  

The first performance, Wednesday night took place at The Cutting Room, a midtown concert hall with a storied history.  Felicia Collins, the lead guitarist and singer owned the stage.  I knew her through Larry.  She was guitarist and vocalist of the Paul Shaffer Band on The David Letterman Show.  She continues to play.  And we were fortunate enough to enjoy her concert celebrating the music of Sly and the Family Stone.  She resurrected the messages of inclusion and connectivity for which the band was well known.  Felicia and her amazingly talented band, ThrowDown, covered Sly and the Family Stone hits.  What a wonderful throwback.  Lessons still to be realized from the late 60s.  

Then on Thursday I was at the 92nd St Y.  An Upper Eastside institution, they have a concert hall, in which they host talks, special events and concerts.  I had the utter privilege of enjoying Kelli O’Hara sing the night away.  She was awesome.  And, as if from the heavens she sang with the extraordinary John Holiday.  The evening was transcendent. 

Both artists, Felicia and Kelli, are gifted.  But add to those gifts the years of disciplined practice and performance expanding their gifts from personal to generously shared on world stages.  They are two of the few, compared to the population at large, who work hard to make the very most of innate talent.  We are forever grateful.  

Between those two incredible performances we had the benefit of entering a taxi with a driver who was amazing.  He didn’t sing.  I never found out if he could.  But he was so polite and warm that his simple presence felt like an art.  

Whether there’s music made with love or conversation made of dignity, we all tap into our better selves when we are in the company of the best of humanity.  

Self-Care Tips:

  • If you’re able to attend a live concert of music that communicates love, joy, or connection, go.  It will uplift you.  If you are unable to see a live concert, try YouTube.  I suggest Judy Garland singing with Barbra Streisand, but feel free to choose what you like.  
  • When you encounter someone who is genuinely kind and caring, take a moment to appreciate how that impacts you.  If you’re able and willing, acknowledge them with a thank you.
  • Clean out your sock drawer.  Feel free to give away tight socks, throw out or reuse as dusters socks with holes, and see what socks you had forgotten but might like to wear again.  It’s easy, doesn’t take too long, and gives us a feeling of accomplishment.  

Singing in the Park, Week 21 in the Time of Transition

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As a young child I delighted in our Magnavox HiFi.  I would sit on the scratchy green wool sofa in our den while listening to Rosemary Clooney.  Her album, Rosemary Clooney Sings for Children with its pink background was a clear favorite.  I loved the track, Betsy, My Paper Doll, because I was the lucky recipient of the Betsy McCall paper dolls hidden in the pages of my mother’s McCall’s Magazine.  The other song that spoke to me was The Little Shoemaker because my father was in the shoe business.  At six, it felt like Rosemary Clooney was singing to me personally.  I hadn’t realized Rosemary Clooney was an icon until years later when I watched her sing with Bing Crosby in White Christmas on the Sunday Million Dollar Movie. 

Recently I was reminded of that album while walking in Central and Carl Shurz Parks in this time of transition.  On the grass are one- and two year-olds in a safely distanced semi-circle with their caregivers listening to Broadway level singers shaking egg instruments and leading the children in song.  They are singing their hearts out to their young audiences who may or may not be singing along.  Each performer grateful for any gig as theater crawls back from being dark.  

How fortunate I was to have enjoyed the musical styling of a great songstress.  And, how lucky these toddlers are to meet up with some of the best singers from around the country. It’s not clear if it’s simply a part of their activity schedule or if the family values the influence of music in our lives.  Either way, I appreciate walking past them remembering the simple touch of my mother’s hand when placing the needle gently on the spinning album even when I asked to hear it again and again. 

In addition to Rosemary Clooney, I heard Lena Horne, Harry Belafonte, Ray Charles, Bobby Darin, Julie Andrews, Judy Garland, and many more who allude my memory, crooning through our oak HiFi.  On Sundays we listened to opera on the classical radio station.  That’s when my grandparents visited. We all sat quietly on the same itchy green sofa or love seat.  If we couldn’t be quiet, we had to go play in the basement.  I favored Puccini and Mozart.  The songs felt pretty to me.  But not having an album cover to attempt to read was a limitation that had me go to the basement after an aria or two.  

I’m not listening to enough music these days.  It’s time to open-up iTunes and delight in Rosemary Clooney and friends.  

Self-Care Tips:

  • Play music you used to enjoy.  Take in the memories and notice how the songs and music impact you now
  • Take a walk and see what associations you conjure.  What recollections come to mind?
  • Create new memories by sharing music with someone you respect.  If possible, listen together.  If you can’t, you can enjoy the association with the music. 

A Show Under the Stars

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It was around 1974. It had to be since it took about four years for my mom to perfect her tennis game.  She played every day at the Cherry Hill Tennis Courts.  She started out at the free outdoor courts in Kressen Woods, but it didn’t take long for my mom to realize that indoor courts were her best bet.    It was winter so playing indoor tennis made sense.  On that chilly  Wednesday I answered the phone, hopeful that a friend was calling.  But it was for my Mom.  The rich, low voice on the other end said he was Gladys Knight’s manager and wanted to see if Arlene, my mom, would play mixed doubles with them. I could not believe my ears.  I wrote down the message, making sure I got the number right. This was way better than any random weekday call from a friend.  When I told my mom she had a message, she first thought it was a prank. But her curiosity got the better of her and she ended up calling back.  Turns out Gladys was headlining at the Latin Casino, the Vegas Style night club that graced the West side of Cherry Hill’s Route 70. Ms. Knight liked to play tennis but they needed a forth.  My mom’s name was offered.

 

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The next day, Thursday, after her regular league, my mom stayed and played mixed doubles with Gladys Knight and two of the Pips on court 14.  It was on the end, and was reserved for games without viewers.  I couldn’t wait until she came home.  She said they were very nice and they were on for another game the next day, a Friday.  Not only that, but they asked her to be their personal guest at their show Friday night. I wanted to ask so much more, but dinner had to get on the table and my chores took priority, at least while I lived in her house. I had fantasies of going with my mom, even though it was a nightclub and I was 14.  My mom was strict, and as far as she was concerned fourteen was closer to childhood than adulthood.  I had a differing opinion, like any good adolescent.

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My mom was no expert in making decisions, so she had to think about the offer.  I was amazed she had to think at all, how could she Not see a Motown star’s act?  But the words, “I have to think about it,” usually meant a delayed NO.  And that time was no exception.  She said they were lovely, but there would be too much smoke at the club.  My Mom was a dedicated Camel smoker until I was six, probably when she was pregnant with my brother.  Since then she would cough loudly in any public place, asking anyone within her vicinity to put out his cigarette.  Usually my mom was bashful, but she boldly made her requests much to the chagrin of the smokers.

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Fast forward to this summer, and my husband, Larry, has been working at Pier 17, the outdoor venue at The South Street Seaport.  Gladys Knight was headlining last week, and I knew I just had to see her. Larry made it happen.  Everyone at the venue treated me as if I had just played tennis with Gladys. Knight. But they were just great at hospitality. It was a spectacular night.  Before the show, the audience members started coming in. They looked extraordinary. Everyone was dressed up to the nines. It was it’s own show.  Then the band opened the act. In came the star.  Gladys Knight is musical royalty, yet she performs with enthusiasm and a generous heart.  Her voice sounded beautiful, complimented by her excellent band and back-up singers.   My mom might have thought the 1974 show wasn’t for her, but for me, Gladys Knight is a Knight to remember. IMG_1877.JPG2018-08-25 20.54.00.jpgIMG_1878.JPGIMG_1873.JPGIMG_1872.JPG

 

 

 

 

 

The Voice

 

MPW-3067.jpegThe movie Funny Girl opened in 1968. I was eight years old and in Third Grade, struggling with Mrs. Mishaw, the dower educator who wore Irish wool suits and had no patience for fools. I was a dreamy fool finding solace in movies. Barbra Streisand as Fanny Brice became my hero. Fanny Brice for celebrating her kooky self, and Barbra for singing so magnificently. She was the balm for an otherwise abrasive year.

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This past week I got to revisit the magnificence of Ms. Streisand singing “Don’t Rain on My Parade.” She brought down the Brooklyn house with her clear, luminous voice. I was enthralled then, as I am now. And, if that weren’t enough, she sang at least three Sondheim songs, my favorite composer.

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I was late to the game. I first heard about Sondheim from Paul Puccio a co-worker at Strawbridge & Clothier when I was in college. I went to see Angela Lansbury in Sweeny Todd in 1980, and have subsequently seen most productions of the shows and revivals in New York or London. So, having Barbra Streisand’s splendid voice, and Steven Sondheim’s magical lyrics and composition, was simply perfect.

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We all have moments like this, when we experience art and emotion, and feel transported. There is hope for the future, and deep satisfaction in the moment. The concert, thanks to Barbra Streisand, gave me, as well as thousands of others, that transformative moment. Life isn’t always easy. In fact, we have witnessed so much heartache and struggle in the media recently, and, for some, in our private lives. So bearing witness to art, music, theater, dance, literature, or other artistic mediums, gives us an opportunity to replenish our faith in ourselves and the world around us. It can move us deeply, and replenish our soul.

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I am still a dreamy fool late into my 50s. And, Barbra Streisand’s voice remains a balm through thick and thin.

(all images are taken from the internet)